Kete, square shaped with a fringe on the side and bottom. ; 1880-1890; 1954-332...


Kete, square shaped with a fringe on the side and bottom.

About this object

Has 2 plattted flax straps. Parts of the kete have been dyed, colour now faded. The colouring in this weaving is produced by soaking the whītau/ muka (flax) in natural dyes. Dyes were produced from either paru/black mud or from the bark from any one of a number of native trees, depending on the colour required.

This kete whītau/muka can best be described as ‘fashion’ or dress items as they were intended to be used on social occasions where everybody would wear their “Sunday best” clothes.

In traditional Māori society, for almost every situation where a container was required, a weaver could manufacture a kete/basket to accommodate that need. For the softest or delicate baskets whītau/flax fibre was used. Whītau, also called muka in some districts, is obtained by stripping leaves of harakere/native flax by scraping with either the edge of a shell or more recently a blunt metal knife. This process exposes the fibres that run the length of the leaves, allowing them to be removed. Sometimes they are softly beaten and/or washed before use.

Given to WHS Roberts as a mark of honour. Mr Roberts gave it to Herries Beattie, who presented it to the museum in September 1960.

James Herries Beattie spent 50 years recording the memories of South Island Maori. He carried out his interviews, travelling to more than 20 locations throughout the South Island to find his subjects, persuading them to talk, recording their words and often then writing up the results in articles books for publication.

Herries Beattie was born in Gore and lived there until 1920. In 1922 his family moved from Oamaru to Waimate, Beattie having purchased Manchester’s bookshop in the town. He ran the bookshop until 1939, when he was finally in a position to survive as a research historian.

Herries Beattie recorded not just the details of daily life of various hapū, but also memories of warfare, cycles of food hunting, gathering and preservation, aspects of their spiritual life, their songs and their stories. He also kept a very comprehensive record of Māori place names and their meanings.

“I went among them with no preconceived notions, no theories to uphold, and no previous knowledge to colour what was told to me. I relegate myself to the background, and keep to the simplicity of my informants, and neither overstate nor understate the information give me. It is a faithful record.”

There are people from Waihao who still remember Herries Beattie or recall whānau members talking about him. Apparently he used to travel about the district on a bicycle.

People from Waimate will also remember Herries Beattie’s daughter, Miss Margaret Beattie.

William Henry Sherwood Roberts (W.H.S Roberts) shared a similar interest in history. W.H.S Roberts was a member of the Oamaru Borough Council and wrote a 'History of Oamaru and North Otago' from 1853 to 1889. Herries' interests in place names, and his style of writing about them, can be traced to Robert's Maori nomenclature (Te ara-Dictionary of New Zealand Biography)

Date Made


Place Made


Place Notes

Made by the Maori at Moeraki.

Medium and Materials



Width: 180mm
Length: 200mm


Maori: Taonga Collection

Credit Line

Presented by James Herries Beattie

Object Type


Object number


Copyright Licence  

Attribution - Non-commercial - Share Alike (cc) Attribution - Non-commercial - Share Alike (cc)

This object is from

Include tags such as place names, people, dates, events and colours. Use commas to separate multiple tags. e.g. Pablo Picasso, Madrid, red, 1930s.